, envy was
artistically and awfully portrayed. Antonio Salieri was the court
composer for the 18th century Emperor Joseph in Austria.
His rival was Wolfgang Amadeus Mozart whom even today many still
consider to be the greatest musical genius of all time.
The film began with a confession of
Salieri. He was already an old man. By then, Mozart was dead for
thirty-two years. The aged Salieri had just failed in his suicide
attempt. A priest had come to visit him. As Salieri began to pour
his heart out, he acknowledged his envy against Mozart, and how it
had destroyed both his life and Mozart's.
As a boy, Salieri desired to develop and
display his musical talents. But his father had other plans. He was
determined to make his son to become a successful businessman just
like him. The young Salieri then prayed, "Lord, make me a great
composer. Let me celebrate Your glory through music, and be
celebrated myself. Make me famous throughout the world, dear God.
Make me immortal. After I die, let people speak my name forever with
love for what I wrote. In return I will give You my chastity, my
industry, my deepest humility, every hour of my life."
Shortly afterwards, his dad choked on
something he ate and died. Having no doubt that God had answered his
prayer, Salieri went on to pursue his dream. He eventually became
the court composer for Emperor Joseph, the musical king. Salieri was
a hot palace favorite till Mozart’s arrival.
Mozart was initially employed by the
Archbishop of Salzburg. Salieri came to know about Mozart’s music,
and traveled to the Archbishop’s palace to hear him. He had never
met the young man before. Before the performance of the symphony,
all the guests were served food at the banquet hall.
Salieri wondered as he looked out for
Mozart, "Is talent like that written on the face? Which one could he
be?" While he was alone in a room, a young woman ran in and hid
underneath one of the tables. Seconds later, a man, who was chasing
her, rushed in and found her under the table. Both of them began to
embrace and kiss on the floor. This young man was in his twenties.
His appearance was vulgar, obscene and repulsive to Salieri.
Salieri later got the shock of his life.
The giggling and indecent creature rolling on the floor was the same
one conducting the orchestra. Mozart! His music was heavenly!
Salieri described these thoughts to the priest, "This was the music
like I had never heard, filled with such longing. It seemed to be
the music of God. Yet why would God choose such an obscene child to
be His instrument?"
Mozart’s fame reached the Emperor’s courts.
He was invited to the palace. The king commissioned him to write an
opera. Salieri tried to compose a little march of welcome for the
occasion. But when Mozart heard it, he scoffed. In the presence of
the Emperor and other court musicians, Mozart sat down to rework on
it. Salieri was utterly humiliated in disgrace!
Salieri related this to the priest, "All I
ever wanted was to sing to God. He gave me that longing, and then
made me mute! If He didn’t want me to praise Him with music, why
implant the desire like lust in my body, and then deny me the
talent?"
Mozart further outraged Salieri by stealing
his beautiful pupil, Katherina. He even slept with her. In his
confession, Salieri said, " I was in love with the girl – at least
in lust. But I never touch her! … It was incomprehensible. What was
God up to? My heart was filling up with such hatred for that young
man. For the first time in my life, I began to have violent
thoughts."
Mozart soon married his girlfriend,
Constanze. They put up their home in Vienna. One day, Constanze came
to seek help from Salieri. Her husband was spending more than he
earned. They were in great debts. She had brought the scores of some
of Mozart’s compositions for Salieri to examine whether they could
be sold. She said, "They’re all originals. He doesn’t make copies."
When Salieri saw the music scores, he was
overwhelmed. He told the priest, "It was beyond belief. These were
first and only drafts of music, but they showed no corrections of
any kind – not one. He had simply written down music he had already
in his head – page after page of it, as if he was just taking
dictation. And music finished as no music is ever finished. It was
clear to me – that sound I had heard in the Archbishop’s palace had
been no accident. Here again was the very voice of God."
Salieri could not contain his fury anymore.
Those scores of Mozart were far more superior than his! When
Constanze left, Salieri removed the crucifix hanging on the wall and
threw it into the fire. He began to hate God, "From now on we are
enemies, You and I. Because You choose for Your instrument a
boastful, lustful, infantile boy and give me for reward only the
ability to recognize the incarnation. Because You are unjust,
unfair, unkind, I will block You. I swear it. I will hinder and harm
Your creature on earth. As far as I am able, I will ruin Your
incarnation."
From that time onwards, Salieri pretended
to be friendly to Mozart while he secretly plotted and schemed to
destroy him. By compelling Mozart to work when he was already
exhausted, Salieri brought about his untimely death.
Thirty-two years later, Salieri was still
tormented by what he did. He was still angry with God. Venting his
anger upon the priest, he howled, "Your merciful God…. He destroyed
His own beloved. He killed Mozart and kept me alive to torture –
thirty-two years of torture, slowly watching myself become extinct.
My music grew fainter, all the time fainter, while his grew louder
and louder."
At the film’s final scene, Salieri had to
face himself, and he declared, "I will speak for you, Father. I
speak for all the mediocrities in the world. I am their champion. I
am their patron saint. Mediocrities, I absolve you."
Poison envy, how deadly it can be! It
isolates us from ourselves, others and God. No wonder the pioneers
of our Christian faith named it as one of the seven deadly sins!
Once unleashed in our hearts, it can become unstoppable!